The simple corner chair sits before a white background ready to be photographed for our catalog. It is a study of stark contrast, of wood turned ebony black from three hundred fifty years of oxidation. Simple turnings with unassuming lines, pragmatic, humble, Spartan. This beautiful simplicity was crafted in seventeenth century New England by a believer, created by a man who saw man's need for decoration as the sin of pride, decadence or simply unimportant when compared to his belief in god. What he achieved is a masterpiece of understated design and straightforward utility.
Age has been kind to this simple chair. It has survived hundreds of frigid New England Winters and stifling hot Summers, voracious insects, accidents, children, moves, poor attempts at preservation, even the late twentieth century mania of "restoration". It is a survivor and remains a testament to another age. The passage of time has worked gentle changes upon its honest frame. The expansion and contraction of the wood has made its geometry wonderfully imperfect. The top rail leans precipitously to the left, it sits a bit off kilter, the stretcher is uneven and the turnings are no longer spherical. But it is a survivor!
This chair was created in the primitive woodworking shop of a colonial joiner or cabinet maker in the second half of the Pilgrim Century. It is a contemporary of those courageous souls who risked all to build a new Jerusalem on the American shore. It likely sat at a desk, its occupant busily writing or studying by candle light. Could it have borne silent witness to the pursuits of an examiner at the Salem witch trials? Perhaps a Minister crafted his most inspiring sermon, or might it's owner have rested heavily in it after weeks in field fighting Indians?
This work of art would have been out of style by the early 18th Century. American furniture began to adopt the refined lines and curved legs of the "Queen Anne" style. Maple and Walnut were the preferred wood then, the turnings were executed in ring and vase design. A Spanish foot would replace a simple straight leg. More fashionable pieces may have relegated this simple chair to a back room or quiet corner.
This chair would have been a relic of another age by the time of the American Revolution. It may have been viewed as a curiosity and was kept no doubt for nostalgic family attachment. At the close of the 18th Century, American cabinet makers were building masterpieces. Workshops turned out highly carved pieces with beautiful proportions bringing the English Chippendale style to American homes in exotic Mahogany.
By the 19th Century the corner chair had run its course. There have been many reproductions of early styles, but no innovation or original design for any broad market. By the second half of this century, furniture would become mass-produced and machine made. It would devolve into a mix of many styles, with no clear form.
This remarkable chair is a survivor. I wonder at how many examples of Pilgrim century furniture exist Today. A rare opportunity is at hand, you could be the next chapter in the story of this simple chair, what will the twenty first century hold for it? Please join us and it on the eighth of November for the Mayflower society auction. Until then I'll see you at the auction.
Once in a while an event comes along which is truly unique, in this case you could call it the ultimate house call. J. James Auctioneers & Appraisers has been invited to conduct the select museum deaccession of the Mayflower Society House, in Plymouth, Massachusetts.
Upon my initial tour of the beautiful Georgian mansion of Edward Winslow, I was struck by the incredible diversity of objects it held. The collection begun in 1946 encompasses three centuries of art and antiques and represents nearly every possible category in collecting. Many of the items are of extreme rarity, even unique and they will be offered for sale at auction, November 8th, 2014.
We have begun the work of researching and cataloging this collection in detail. This process lets us "live" with each piece for a time. I am always impressed by certain items which speak to me, figuratively of course. They may not be the rarest or certainly the most valuable, but they posses a history or quality which draws one in a bit closer. These objects seem to transcend the material world and make one contemplate a deeper meaning.
This week a simple silver spoon has made an impact on this humble auctioneer. It was created in Boston during the second half of the Seventeenth Century and bears the date 1685 with its owners monogram pounced. This piece has all of the characteristics we love, it is a "Trefid" design with a rat tail back and a deep circular bowl. It would have been a cherished piece and a mark of wealth and distinction for its owner. It was crafted of coin silver, by a master silversmith, in a relatively primitive workshop. It is a masterpiece, the simplicity of design carries an authentic grace and beauty which compliments its rarity.
I sometimes indulge in a bit of fantasy when I am working with a piece like this. I try to imagine what was happening during its early life, what did this spoon witness? The late seventeenth century was a tumultuous time in the colony of Massachusetts Bay. The colonists had prosecuted a successful campaign against their Indian neighbors during King Phillips war, but were battling increasing resistance to the strict and heavy handed rule of the Puritan church. Massachusetts was engaged in fierce economic competition with it's neighboring colonies, while coping with the aftermath of a destructive war. It was a period of transition for the English colonies, a time for soul searching, rebuilding. How did the owner of this spoon fit into this complex world?
As this project unfolds and our cataloging moves forward, I am excited to see what is next uncovered. I look forward to sharing this unique experience. Until then I'll see you at the auction!
I have always enjoyed fine hand loomed rugs, they are truly works of art and can be appreciated as such. In the antiques business they are ubiquitous, It seems like I see at least one on every house call. I can see the beauty in an average late 20th Century Hamadan, or a coarsely woven Afghan, but all rugs are not created equal. Occasionally I look down at my feet and see something spectacular. Today my lowered gaze rested on an exceptional Antique silk prayer rug. This masterpiece dates from the 19th Century and embodies hundreds of years of tradition, design and craftsmanship. I instantly knew it to be a prayer rug, although it was not pointing to Mecca, it did have a point.
This beautiful rug was embellished with an intricate design and color choice which pointed to the Northern Caucasus, upon closer inspection, a rug from the Dagestan tribal region. This fine example demonstrated quality in a very tight weave; the knot count, north of 120 per inch. I marveled at the complexity of the pattern and wondered at the hours which went into its creation. As I beheld this masterpiece of weaving, I noticed the edge of another rug peeking out just around the corner, my lucky day.
My curiosity was rewarded by a bold blue field and geometric pattern surrounded by an intricate floral border it was another Caucasian prayer rug. This example, a Kuba carrying a design which can be traced to an individual village of Perpedil.
This beautiful work of art certainly showed its age, but was in remarkable condition. My mind wondered to another time and place, when this rug would be delicately laid out, pointing in the direction of the Holy city of Mecca, its owner kneeling in rhythmic prayer and devotion. The lives these works of art have lived, the history they carry make one think.
As I worked my way through this local home, I picked out six fine antique rugs altogether. A massive Persian with an Islamic Calligraphy border was another favorite of mine as was a faded Afghan tribal. This fine collection was assemble over a century ago and therefore represents an extremely rare opportunity for the collector to own one of these fine Antiques. These rugs will be offered for sale to the highest bidder on November 8th. Until then, I look forward to seeing you at the auction!
What a wonderful time to enjoy living in New England! We wait all year for these fleeting months of Summer...pure Nirvana.
Having wrapped up an excellent July 1st auction, we have set our eyes on our next event, our Fall Art and Antiques Auction, (date to be announced). Some remarkable things have already darkened our sun drenched threshold. While down on the cape chasing clambakes, cookouts and cold IPA's, I happened upon something simply amazing! Let me begin by stating that illustrator Art is a true passion of mine. My short list of great American Artists includes N.C. Wyeth, Howard Chandler Christie and Norman Rockwell, all famous art illustrators. I have recently added a new name to that list.
I walked into the dining room of a favorite consignor and beheld a portfolio of original early 20th Century pen and ink and watercolor illustrations by Harrison Cady. These beautiful works of Art appeared in books written by Thornton Burgess, the two had a collaboration spanning five decades. I fell in love with the simple innocence these images evoke, woodland creatures with human characteristics, a bear in overalls a mouse with spectacles and of course "Blackie the Crow" with his iconic top hat and scarf.
These works of art have all of the hallmarks of an original creation, graphite dust smudges at the margins, mingle with the artist's casual pencil notations, the reverse with studio tags affixed identifying story boards and character plot lines. This illustration collection represents a lost art, free hand creation, inky fingers and the smell of pencil lead. Not a computer involved, no design software, nothing digital at all, how did he manage?
These wonderful creations will be offered for sale to the highest bidder at our Fall auction. Here lies a wonderful opportunity to add original art from an iconic American Artist to your collection. Make sure you are there to win them. As always I look forward to seeing you at the auction!
I have been neglectful of this blog for the past two months and I sincerely apologize to my audience (of three). We have been absolutely dedicated with maniacal focus to cataloging this sale. The work load of researching, vetting, photographing, measuring and describing in detail 400 very specialized lots was woefully underestimated by yours truly. It was an absolute joy however and as we move to the next stage of the sale, the catalog (now available on our homepage) is one I am proud of.
This collection certainly offers some unique items of historical importance. The uniform group once worn by Commodore Perry and his sword should be considered national treasures. This man was a hero of the fledgling United States Navy, which faced the British during The War of 1812 and thrashed them soundly! Omar Bradley's dress uniform is another headline grabber. He was a five star general in command of over one million troops in Europe during World War Two. It is simply incredible to me, that these items are being offered for sale to the public.
The uniforms, hats, belts, boots and gear in this sale all represent something much larger than the materials and craftsmanship which went into their creation. Although the collection covers over three centuries and many different countries, every piece shares an important quality, they are a testament to the brave men who used them. A simple khaki service uniform worn by an infantry officer in 1918 during the horrors of trench warfare in Flanders, the Sword presented to a Confederate cavalry officer by his men during the battle Gettysburg, or the uniform worn by a U-Boat petty officer while the battle for the Atlantic raged above, all represent the legacy of those who were willing to give their lives in service.
I am getting very excited as the date approaches, this sale represents a rare opportunity and is simply thrilling to a militaria collector and enthusiast like me. The crew is ready, the advertising in place, the catalog finished, all that is left is for you to join us on Saturday, April 26th at 11:00. I look forward to seeing you at the auction!
It has been an exceptional couple of weeks at J.James Auctioneers and Appraisers. There were three Winter Storms the last 14 days and I had a benefit Auction scheduled right between them! I was fortunate enough to be invited to speak at the Plymouth Rotary Club luncheon. After a brief presentation, we conducted a quick live auction to benefit my favorite local charity "Helping Hands of the Plymouth Animal Shelter".
After running around Town with my hat in my hand, we amassed a great selection of gift cards from some of my favorite local haunts, our lots even included a tour and tasting at Mayflower Brewery and two spots at Plymouth's original Art Bar. The generosity of our local business owners is unmatched in America's Hometown. I just love doing benefit events, everyone wins and I can mercilessly guilt people into opening their wallets.
We also added an important team member to our staff. He is eight pounds and black as coal...our new Labrador Retriever George. George will be working security at the auction and may lend a paw to help catalog. George has all the wonder of a Puppy learning and exploring his world. I am confident that he will grow to be an important member of our team.
The catalog for our April 26th Militaria Auction is growing daily. We have over 130 lots photographed and described so far, with about 400 more on the way over the next few weeks. The work load is tremendous, but we are truly having fun researching this stuff, this sale will be epic! I will be posting some pictures in my next Blog, until then, enjoy Winter in New England.
I have an amazing, unprecedented and unsurpassed ability to schedule any event months in advance to coincide with a storm or major weather event. Last March our sale was held in the face of a raging Nor'easter which became a Blizzard the night of our sale. Tuesday evening, our auction was accompanied by another fierce Winter storm right on time. During our preview, I glanced out the window and saw a small and lonely snowflake floating on a light and gentle breeze, two hours later it became sheets of white pushed by gale force winds. I just love Winter!
When I took the stage at 6:00 I was greeted by the faces of some hearty New Englanders and I felt proud to be one. My staff informed me that we had over seventy phone bids and even more left bids in the system. Our attendance was less than half, but our empty seats had been converted into absentee bidders! Although I still prefer the energy of a crowded auction, I knew with the help of technology, our bidders were still engaged.
As the snow laden winds howled outside Memorial Hall, the bidding heated up. Jewelry was a particularly strong category, with my favorite piece, a Victorian Cameo Necklace fetching nearly three thousand dollars. Our selection of Thai Silver Repousse was a true winner, with phone, internet and live bidding propelling these works of art to the stratosphere. I just love selling jewelry and silver, easy to move, store, ship and sell!
Militaria is a perennial winner at our sales and it proved its popularity again. Our Civil War Muskets went for all of the money and a rare WW2 German Helmet hammered at $1500. The competition for militaria is red hot and I am excited to begin to catalog our April 25th and 26th Military sale! It is an amazing collection from a Museum which has been stored away for over twenty years. The group spans three centuries and the globe. I will be posting pictures and highlites of this sale every few weeks.
